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		<name>Nina</name>
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			<published>2011-08-30T16:53:00.000Z</published>
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			<content type="html">&lt;p&gt;Georgia O&#39;Keeffe first came to the attention of the New York art
community in 1916, several decades after women had gained access to
art training in America&#39;s colleges and universities, and before any
of its women artists were well known or highly celebrated. Within a
decade, she had distinguished herself as one of America&#39;s most
important modern artists, a position she maintained throughout her
life. As a result, Georgia O&#39;Keeffe not only carved out a
significant place for women painters in an area of the American art
community that had been exclusive to and is still dominated by men,
but also she had become one of America&#39;s most celebrated cultural
icons well before her death at age 98 in 1986.&lt;/p&gt;
&lt;p&gt;Her abstract imagery of the 1910s and early 1920s is among the
most innovative of any work produced in the period by American
artists. She revolutionized the tradition of flower painting in the
1920s by making large-format paintings of enlarged blossoms,
presenting them close up as if seen through a magnifying lens. And
her depictions of New York buildings, most of which date from the
same decade, have been recognized as among the most compelling of
any paintings of the modern city. Beginning in 1929, when she first
began working part of the year in Northern New Mexico-which she
made her permanent home in 1949-O&#39;Keeffe depicted subjects specific
to that area. Through paintings of its unique landscape
configurations, adobe churches, cultural objects, and the bones and
rocks she collected from the desert floor, she ultimately laid
claim to this area of the American Southwest.&lt;/p&gt;
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