8:04 PM - May The Farce Be With Them
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jordan 1,With more than two weeks till its official Broadway
opening, Mel Brooks's musical version of his 1968 traditional film
farce The Producers is playing to sold-out preview audiences.
Nathan Lane will be the outrageous Broadway producer Max
Bialystock, while Matthew Broderick will be the jittery accountant
Leo Bloom--the two schemers who cook the books on their surefire
flop, Springtime for Hitler. Final week the two stars dropped from
the Broadway hangout Joe Allen's to schmooze with NEWSWEEK's
Cathleen McGuigan.
ããBRODERICK: Hello there.
Sorry I am late... Just f---ed up. I totally--LANE: You have been
ill. You've been on medication.MB: No, I just forgot. I totally
spaced out. What a fun little angle that will be. [Laughs.] He
rushes in, disheveled, speaking like an idiot.NL: Nooo, you appear
snappy.MB: Well, I knew I had an interview this morning.NL: This
morning. After which you could not keep in mind why you put the
suit on?MB: Yeah.NL: Excellent. As I told you yesterday, the
blueprint for this interview is that New York Occasions interview
with [director] Joe Mantello and [actress] Mary-Louise Parker, that
is all about craft and, you know, the importance of theater in
today's society. But of course, we're incredibly vain and shallow.
So the majority of this dialogue will be about excess weight and
hair.MB: Could I have a cup of coffee?NL: Do you want pie? Banana
cream pie, will that cheer you up?MB: Yeah. Pie's a cheerful
factor.NL: Well, you realize, I first saw Matthew in Brighton
Seaside Memoirs and was amazed. He just had a lot charm and
charisma--and also you believed, Wow, it's like he's inhabited by
an old vaudevillian. How old had been you whenever you did that?MB:
I was 21.NL: So I was walking up 57th Street, and I saw him, and I
had just observed the play. And I stopped him and said, I just have
to let you know, you were just wonderful. And he was very shy and
stated, Thank you, thank you extremely much. After which he
observed...MB: I didn't even know who he was.NL: No, no. I wasn't,
uh, that famous. And we both happened to become wearing blue
striped shirts. And for lack of something else to say, he said,
Look, we're wearing the same shirt. In that very Matthew Broderick
way. And I laughed and I said, Well, you're my idol. Now I'm
beginning to dress like you. And that's when he began to get
nervous and--[They each laugh.]MB: I got frightened.NL: --and he
looked to get a cop. No, he just went on his way. Following that
we'd run into one another right here and there, you know. We knew
one another from The Lion King [both did voices]. But we had never
worked collectively onstage.NL: We're haunted by them. Zero and
Gene will always be Bialystock and Bloom. And we're borrowing the
roles to get a while.NL: There's an enormous part of the display
that's our chemistry. And that truly assists the show general.
Simply because if two individuals were performing this and feeling
either competitive or not getting along, you'd sense it.MB: Which
is one good factor about going on the road in a display. You do get
to understand people better than when you're at home. We went
purchasing a few times in Chicago.NL: We went to Prada--which is
Italian for you can't afford this.MB: I bought a lot. A few suits,
some footwear.NL: Yeah, he actually bought more than me. Hey, we
haven't talked about craft.MB: We do not have any craft.NL: Here's
what I believe. I believe it is time to talk to Mr. Brando.NL:
[Assumes Television announcer voice.] Mr. Brando, listen, I can't
thank you sufficient for joining us here at Joe Allen's. And since
you are referred to as the greatest actor of one's generation,
actually, maybe the greatest actor this country has ever seen,
would you speak a bit about--about how you process a function? How
you start your function?MB: [Assumes perfect voice of Brando, with
whom he starred in the film The Freshman.] Rinky dinky tinky linky,
parlez vous. Rinky dinky hinky pinky parlez vous.NL: And what
precisely does that mean?MB: I would no sooner talk about acting
than I would put a fried egg in my armpit.NL: Wait a minute, you do
possess a fried egg inside your armpit. Is the fact that like for
later on when you get hungry?MB: What I do when I am hungry is
neither any of one's business nor anyone else's business
whatsoever, whomever they might be.MB: Yes, occasionally.NL: He's a
brilliant improviser. It is nice to understand, if some thing goes
wrong, we are able to just talk for 10 minutes.MB: Oh, yeah.NL:
She's a great cheerleader and she loves the show. She's like a
groupie.MB: And when I become despondent, she always helps me
maintain my chin up.MB: Oh, you know, that is too powerful a word.
But I mean, I don't know--NL: Suicidal is more--MB: Suicidal is
more accurate. It's a show--I don't know, you just get worried.NL:
You know, they've taken this beloved film and there was always the
danger of, oh, you realize, they've ruined it. But at least it was
Mel [Brooks] doing it. It is his baby. And now, because we've come
from Chicago, exactly where we opened the show and individuals
truly liked it, there's all this kind of heat and hype that
we--that has nothing to complete with us.MB: It's an huge amount of
stress inside a weird way. I imply, it's much much better than if
everyone was saying, I hear it stinks. It is a big show and it is
turn out to be a kind of large deal, you know. And it is extremely
intimidating.NL: And we also possess a lot to complete. There is a
lot of duty within the show that drives the play along. And you
just, you know--you have to be focused. Otherwise you'll get hit
with a piece of scenery. But we nonetheless haven't talked about
craft.Recent online
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