3:20 AM - America From Tom to Abe
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I was looking for,Sean Wilentz ends his huge history, The Rise of
American Democracy: Jefferson to Lincoln, having a description of a
photograph taken in 1865: 13 males, six white, 7 black, the jury
empaneled to try Jefferson Davis, ex-president of the Confederacy,
on costs of treason. To Wilentz, the picture is definitely an apt
emblem of the hopes of the Civil War era as to how a post-slavery
Usa may look. Sitting in his office at Princeton, Wilentz shakes
his head in admiration. All these white guys and black guys
collectively. And also you understand, this is unthinkable five
years earlier. And it is a step toward democracy. Another shake
with the head, this one more rueful. But it all came undone. By
1900 it looks blasphemous. He leans forward to drive the point
home. Democracy can come undone. It's not some thing that's
necessarily going to final forever as soon as it's been
established.As Wilentz tells it in his book, the story of how
democracy took root within this country before the Civil War is an
epic worthy of Homer. A few of the actors are familiar--all of
those dead white guys on our currency are there. But joining them
is really a cast of 1000's: ward heelers, abolitionists, novelists,
minstrels and terrorists. Notables and nobodies jostle to get a
location on the stage, and Wilentz runs as fast as he can to keep
up with the action. The result is a magnificent chronicle, the life
of an idea that, although it is mentioned nowhere in the
Constitution, nevertheless gradually elbowed its way into the heart
of American life.Wilentz, 54, is gregarious, curious and eclectic:
on the walls of his book-lined office, portraits of Andrew Jackson
and Bob Dylan stare at one another from opposite walls (in his
spare time, Wilentz is the historian in residence at BobDylan.com).
He has a reporter's obsession with details, with getting it
right--and with fighting what he calls the immense sanctimony of
posterity that we impose on the past. We usually think we know much
better. But you've to try to stroll in other people's shoes. As a
result, he spends as a lot time making the context for his
characters as he does writing about their deeds. So we see Jackson,
for example, as an Indian killer along with a slaveholder, but also
as a child who grew up in a frontier milieu where dueling more than
matters of honor was completely acceptable. We also see him because
the man who singlehandedly invented the contemporary presidency,
validated the idea of an inviolate Union (Lincoln would later on
appear to Jackson for inspiration) and took the notion of
majority-rule democracy further than it had ever been taken before.
The hard factor for people to understand, Wilentz says, is that
they are human beings, not only actors with wooden swords, so
they're going to become flawed. And they had suggestions, and these
ideas mattered.It is simple to get a bit lost in the one,044-page
Rise of American Democracy because all through the story the
extremely concept of democracy by no means stops changing. And,
according to Wilentz, it keeps altering: We're nonetheless trying
to determine what democracy ought to be. So when we talk about
exporting the stuff to, say, Iraq, what precisely are we talking
about? You're bringing them an argument. And that argument is very
important and it has to be preserved. But it isn't static.
Democracy in America is the spectacle of Americans arguing about
democracy. Wilentz shows what that battle has cost, and why it's
worth it.Recent online
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